Tuesday from 9 AM to 12 PM 

with Angeline Guzman

lyneguz@gmail.com | +32 499 84 67 99

After working for several years in public publishing, Angeline trained in bookbinding through a Certificate of Pedagogical Aptitude in bookbinding and gilding in Paris, followed by a bachelor’s degree in Book and Paper Design at ENSAV La Cambre. Her work combines an editorial/graphic perspective with artistic bookbinding to showcase works where content and form are given equal attention.

This course aims to teach you how to bind your own books and/or work with existing ones. The program focuses on acquiring basic bookbinding techniques (case binding, sewn board binding, perfect binding, accordion books, Bradel binding, etc.) as well as some fundamentals of box-making (creating boxes, slipcases, etc.). Students can choose from a range of simple or more complex techniques based on their preferences and skill levels, with the goal of adapting to each individual’s needs.

Wednesday from 2pm to 5pm

with Junko Hayashi

hajunko@gmail.com | +32(0)479 88 18 76

After studying Japanese literature and working as a librarian in Japan, Junko Hayashi discovered bookbinding at Kumiko Tochiori’s workshop in Tokyo, before continuing her apprenticeship at La Cambre’s bookbinding workshop, from which she graduated in 2006. Her work covers all types of binding, as well as artists’ books and book restoration. She has been an instructor at the Wittockiana since 2011.

The aim of the bookbinding course is to enable students to carry out their own projects, under the supervision of the teacher, and to learn the appropriate techniques, depending on the programmes on offer. The course is run with a small number of students (max. 7).
Beginners start with the basic techniques in modules of around 10 lessons. Programme: case binding (basic hardcover binding technique); accordion binding, seam binding, Japanese binding, book folding, boxes.

Wednesday from 5.30pm to 8.30pm

with Junko Hayashi

hajunko@gmail.com | +32(0)479 88 18 76

After studying Japanese literature and working as a librarian in Japan, Junko Hayashi discovered bookbinding at Kumiko Tochiori’s workshop in Tokyo, before continuing her apprenticeship at La Cambre’s bookbinding workshop, from which she graduated in 2006. Her work covers all types of binding, as well as artists’ books and book restoration. She has been an instructor at the Wittockiana since 2011.

The aim of the bookbinding course is to enable students to carry out their own projects, under the supervision of the teacher, and to learn the appropriate techniques, depending on the programmes on offer. The course is run with a small number of students (max. 7).
Beginners start with the basic techniques in modules of around 10 lessons. Programme: case binding (basic hardcover binding technique); accordion binding, seam binding, Japanese binding, book folding, boxes.

Thursday from 09.30 to 12.30

with Song Yi Han 

songyi.sol.han@gmail.com| +32 (0)496 70 33 07

It was through contact with paper that Song Yi Han discovered her interest in books. She discovered bookbinding at the Recto-Verso workshop in Seoul and continued her training at ENSAV La Cambre, where she graduated in 2017. She works for individuals, artists and micro-publishing, including publishing personal works.

The course is aimed initially at beginners. Using simple bookbinding techniques – assembly, folding, simple stitching, casing, etc. – the instructor invites students to understand the structure of a book. The progress will be at the participant’s own pace, as they learn the appropriate techniques and come into contact with the materials they are working with.

Thursday from 13.30pm to 16.30pm

with Song Yi Han

songyi.sol.han@gmail.com | +32 (0)496 70 33 07

It was through contact with paper that Song Yi Han discovered her interest in books. She discovered bookbinding at the Recto-Verso workshop in Seoul and continued her training at ENSAV La Cambre, where she graduated in 2017. She works for individuals, artists and micro-publishing, including publishing personal works.

The course is aimed initially at beginners. Using simple bookbinding techniques – assembly, folding, simple stitching, casing, etc. – the instructor invites students to understand the structure of a book. The progress will be at the participant’s own pace, as they learn the appropriate techniques and come into contact with the materials they are working with.

Friday from 9.15am to 12.15am

with Clara Gevaert [FULL]

clara.gevaert@gmail.com | +32(0)497 37 77 17

A graduate of ENSAV La Cambre in 2005, Clara Gevaert works with bibliophiles and booksellers as well as with contemporary artists and publishers specialising in contemporary art. She also teaches bookbinding at La Cambre and at the Académie des Beaux-Arts in Marche-en-Famenne, as well as at the Atelier du Livre in Mariemont.

From the simplest sheet assembly to the most complex binding, the course is aimed at all levels of learners. The aim is to help each participant bring their projects to fruition. The programme is based on the gradual acquisition of basic techniques for beginners (simple stitching, casing, folding) and the mastery of more advanced binding techniques (bradel and passe-carton) for the more experienced. A great deal of attention will also be paid to boxes and other containers, whether they are designed to protect or to showcase a book or an object.

Friday from 2pm to 5pm 

with Camille Stoffel

camille.stoffel@gmail.com | +32 (0) 474 11 90 20 | www.camillestoffel.com

A graduate of ENSAV La Cambre, Camille Stoffel is a bookbinder and graphic designer. Her interest in books is wide-ranging, from micro-publishing to bibliophile books. She examines the challenges of contemporary bookbinding and the current perception of the book as a medium in constant evolution.

While opening up a wide range of creative possibilities, the aim of this course is to provide tools that will be useful to everyone in creating their publishing projects. The book will be approached as a space for conceptual and technical reflection, through the discovery of different binding and cartonnage structures at all levels.

Individual support will be offered in a group workshop, with the aim of exploring new forms of publishing, opening up the field to artists’ books, object books, etc.